Solving the puzzle

“baby sparrow” is 11x14, made from paper, acrylic paint, pencil, charcoal and glue on birch panel. It is one of two pieces now showing at the Medium Gallery in Ukiah, CA. The image is also available as a card reading, “so happy you were born.” © Annette Makino 2022

First of all, Happy Fourth of July! To celebrate, I’m offering 20% off everything in my Makino Studios shop (except original art) on orders of $20 or more. Just use code 4JULY at checkout before midnight this Sunday.

In the months since I last wrote, I’ve spent a lot of time caregiving for my 96-year-old mother. I’ve also been been traveling—I spent most of April exploring and hiking through the gorgeous, otherworldly Southwestern US (see pics on my Insta and Facebook, links below).

red rock canyon
just a matter
of time

But my main activity of the past few months has been making art. While some artists can create under any conditions, I need everything to be just so to feel ready to work. A cluttered art studio and too many urgent items on my to-do list are creative turnoffs: I need a clean space and a clear mind. Since my artistic urge is such a fragile flower, I try to nurture it whenever it blooms.

After a creative dry spell of several months, conditions have been right for a very productive artistic streak. At the moment I have eleven new collages waiting to be scanned and combined with haiku. With several more ideas percolating, there should be plenty of pieces to choose from for my 2025 calendar of art and haiku. Many of these pieces will also become cards once I figure out the words. I’m excited to share the new work with you this fall!

Sometimes while struggling with a piece, I wonder why I bother making collages. They can take as much time or more as regular paintings. So why bother fiddling with little bits of colored paper to make an image that I could just as easily paint, with more realistic results?

Well, after a decade of making fairly representational paintings in Japanese watercolors and sumi ink, I felt I had come to the end of that approach. My 2021 book, Water and Stone, was the culmination of that ten-year period. Though several notches short of mastery, I had reached a level of ability where there was not enough of a challenge left to interest me. Even though it can be uncomfortable or scary to try something new, I enjoy being stretched.

baby sparrow
the thin line between
falling and flying

I also love solving puzzles. For a couple of years I was hooked on playing the Scrabble-like game Words With Friends on my phone, absurdly spending up to an hour to find the highest-scoring word for each turn. Some years earlier, while staying in a Swiss village with my family, I got so addicted to completing a jigsaw puzzle that I missed out on a magical, snowy New Year’s Eve walk—as my husband keeps reminding me.

a thousand-piece puzzle deeper into winter

Alas, I was denied the satisfaction of finishing that puzzle: the last piece was missing.

thrift store puzzle
the holes
you can never fill

I recently realized that I enjoy making collages because it’s a continuous process of solving puzzles. The challenge: using only torn bits of paper, how can I create the picture I have in my mind? Which collage papers from my stash best represent the colors, textures and sizes I need to create that image? Sure, I can paint papers specifically for a particular need, but that is time-consuming and messy—I much prefer to hunt for the right piece from the collection of papers I’ve already painted.

Process shot of the golden retriever piece.

A couple of weeks ago I was working on a scene of a golden retriever at the beach. I leafed through my collection of painted blue papers for a way to represent the waves. Aha! A sheet printed with slate blue paint in a lively texture obtained by wrinkling tin foil and then rolling paint over it. And a bit of lacy white rice paper that could serve as the foamy edge of the wave. Oh, and for the dog’s chest, a deep gold piece of a map with Arabic place names that could imply long, wavy fur. Puzzle pieces falling into place. And the collage takes form.

rustling paper
          becomes wings
                    becomes wind

I’m looking forward to lots more puzzling ahead as I figure out how to make my collages come alive. Here’s wishing you a fun July 4th weekend and a fulfilling summer!

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Makino Studios News

Fourth of July sale: Cards, notecard sets, prints, books and more—take 20% off site-wide through this Sunday at midnight on orders of $20 and up! Enter code 4JULY at checkout. Offer excludes original art.

Paper, Paste, and Pulp: I have two collages in this show at Medium Gallery in Ukiah, CA. The opening is during First Friday tomorrow, July 5, from 5 to 8 p.m. and the show runs until July 27. The gallery is in the Pear Tree Shopping Center near Bank of America. I can’t attend the show but if you happen to make it, please send pics!

Anywhere But Here: I’ll also be represented in the Medium Gallery’s August show, with reflections on time and place, longing, wanderlust and exploration. The opening is during First Friday on August 2 from 5 to 8 p.m. and the show runs until August 31.

Made in America II: A Humboldt Celebration of Asian Artists: The Humboldt Arts Council has accepted a proposal for a show by thirteen Humboldt County artists of Asian descent, to be held at the Morris Graves Museum of Art in May 2025. I’m honored to be part of the group and plan to organize an accompanying poetry reading and haiga slide show.

Away on retreat: I will be on creative retreat at the Klamath River for the week of July 13-20, making collages and writing haiku. Makino Studios orders will be shipped out on my return.

Obon Festival: The annual Humboldt Obon festival takes place in Arcata, CA on Sunday, August 11 from 4-8 pm. This traditional Japanese festival, which remembers and honors our ancestors, will be held on 9th Street in front of the Arcata Playhouse. Organized by Humboldt Asian Pacific Islanders (HAPI), this is a fun, family-friendly community event. I don’t plan to have a booth there this year but it’s always a good time!

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Publication credits: “baby sparrow” - The Heron’s Nest; A New Resonance 13: Emerging Voices in English-Language Haiku; 2023 calendar of art and haiku by Annette Makino

“red rock canyon” and “a thousand-piece puzzle” - The Heron’s Nest

“thrift store puzzle” - Modern Haiku

“rustling paper” - Kingfisher

Torn together

Happy Thanksgiving! This week I’m especially grateful for the gift of right livelihood—creative work that nourishes me and my community. Deepest thanks to you, my customers and fans, who make that possible. In gratitude, I’m offering 15% off everything in my Makino Studios shop thru Sunday with code THANKS22 (details below).

Here’s a glimpse at how I created a recent piece. A few years ago, I tore my left rotator cuff, which was followed by a painful case of “frozen shoulder.” After a physical therapy appointment, I took a walk along the Mad River bluffs overlooking the ocean, admiring the windswept trees. That inspired the following poem:

to love this body
just as it is
twisted shore pines

I decided to create a collage with the haiku, and started with a rough sketch. Next I searched through my collection of painted and embellished papers. Earlier I had tried painting a sunset sky for another piece, which didn’t work at all. But that rejected sheet turned out to be perfect for this piece. I also used washi paper, an old letter and some pages from a copy of Moby-Dick.

After much trial and error, I chose the papers I wanted, then tore them into pieces and laid them out, tweaking my composition until it felt right.

I tore and glued on the main pieces, including the black branches of the shore pine. But how to create all those needles? I knew it would drive me insane to collage each one. Eventually I realized I was trying to obey an imaginary rule that using pen and ink in a collage would be “cheating.” Once I let go of that unconscious restriction, I drew in the needles with a fine point pen.

Voilà! The finished haiga (art with haiku), is 11x14, made with acrylic paint, archival ink, paper and glue on cradled birch panel. (The words were added digitally using my custom brush-painted font and do not appear on the original.) © Annette Makino 2022

From uncomfortable beginnings, this mixed media collage emerged as the star of my collection this year. In an informal poll of friends and family, it won the cover spot on my 2023 calendar. (There is also a greeting card version that reads simply, “sending much love.”)

Sending wishes for much love and abundance this Thanksgiving!

“to love this body” was first published in Frogpond, the journal of the Haiku Society of America.

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Makino Studios News

Thanksgiving sale: Use promo code THANKS22 at checkout for 15% off everything in the Makino Studios shop except original art. Good for first-class shipping within the U.S. Only one promo code per order. Sale ends at midnight this Sunday, Nov. 27.

Made in Humboldt fair: The “Made in Humboldt” event at Pierson Garden Shop in Eureka, CA runs through Friday, Dec. 24. This is the only fair where you can buy my calendars, books, prints and boxed notecards this season. There are 250 participating vendors, all local.

Ecuador travel: My husband and I will be in Ecuador and the Galápagos Dec. 3-20! We are visiting our son, who is studying there this semester. Our house sitter will be packaging and mailing orders in my absence, but they may take a little longer to get out the door, so order early!

2023 mini-calendars: My calendars of art and haiku make great holiday gifts! They feature 12 colorful Asian-inspired collages with my original haiku. $12 each.

Water and Stone: My award-winning book of art and haiku includes 50 watercolor paintings with my original poems. Cost is $25. You can find it online here, on Amazon and in select local Humboldt stores. 

Cards: Holiday, birthday, sympathy or everyday… right now there are more than 70 Makino Studios card designs to choose from. I also have five different notecard sets, including two holiday designs.

Art prints: Blake’s Books in McKinleyville and Humboldt’s Hometown Store in Ferndale both carry a selection of my matted art prints, ready for gifting. They are among the local stores that carry my books, calendars, notecards and single cards.

Holiday shipping deadline: The US Postal Service advises that for first-class packages to arrive by Dec. 25, they should be shipped by Saturday, Dec. 17.

A peek at my new lettering process

“deep river” is 11x14. This collage features three coho salmon swimming upstream, back to the place they were born. This piece is the January art for my 2022 calendar of art and haiku. As with all my collages, the papers start out white, and I then paint them with lightfast acrylic paint.

One fun detail is that the phrase "deep, deep river" appears on a scrap of a musical score. You can also see some prints I made from ferns, plus mango paper from Thailand, washi paper from Japan, newsprint, and even a toilet paper wrapper! I added the haiku using my Yuki font.

A new graduation card version reads, “congratulations—onward and upward!”

© Annette Makino 2021

There was a lot of interest in my last post, “How a collage is born.” So today I want to go behind the scenes again and share a bit about the process for my lettering. 

For my paintings and collages, I typically make one version of a piece that includes a haiku and another with the words for a greeting card. I normally leave the words off the original. 

I used to brush-paint each haiku or phrase using sumi ink, an ink stone and a bamboo brush. If you’ve ever tried painting or lettering using a brush and ink, you know it’s a delicate art with no room for error. So it would usually take me several tries to get right.

Then I would scan the words, edit out the white background, and digitally add the text to my art. This was a slow and painstaking process—with uneven results. 

Traditionally you make sumi ink by grinding an ink stick in an ink stone. Photo by Brandi Easter.

Here I am painting the letters for my custom font using sumi ink and a fine bamboo brush. I chose the best version of each letter for the font.

That changed last spring, when Arcata-based graphic designer and tech wiz Gabe Schneider at Sight Study created a custom font for me using my brush-painted letters. He used an extension for Adobe Illustrator and Photoshop called FontSelf, which turns lettering into OpenType fonts. He fine-tuned the spaces between letters (kerning and tracking), and even figured out a clever way to make a bold version.

A detail of my custom Yuki font based on the letters I painted above.

There are still situations when I will hand-paint my words. Sometimes I want a special look, as with the big section headings for my book, Water and Stone. Or sometimes a customer buys an original painting and wants the haiku on it. But I’m always nervous that I will ruin the painting with a typo or smear—it’s been known to happen!

With my new brush font, I can quickly and easily type the words for my haiku and greeting cards. I’ve used it for slide show presentations of my art and poetry, and it also works beautifully for the 365 dates on my calendar. 

Is it “cheating”? Using my custom font may seem less Zen than painting each letter by hand in the traditional way, but it also creates less aggravation. And isn’t that actually more Zen? Plus, I get elegant, consistent results in a fraction of the time—giving me more time to write haiku and make art.

A quick Google search for “Asian brush font” returns 34 million results—but none of them are mine. I named my font Yuki, which means snow in Japanese. It also happens to be my middle name. I say let it snow, let it snow, let it snow!

rice paper moon
pine trees brush
the inky sky

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Makino Studios News

My 2022 calendar uses my Yuki font for the dates—something I would never do by hand.

New card designs: I’ve created several brand-new card designs, including three birthday cards and one for graduation, and I’ve updated others with new words. Browse the whole card collection, including Valentine’s Day cards.

Sale on 2022 mini-calendars: My 2022 mini-calendars, featuring 12 colorful Asian-inspired collages with my original haiku, are now on sale for $9.99 (from $12.00). I like to think of these as a small rotating gallery of art.

My first book review: A new review of Water and Stone: Ten Years of Art and Haiku in Haiku Canada Review says, “The images in Annette Makino’s collection are lovely, the prose is limpid, and the haiku seem effortlessly to verbalize how we are part of the world.” You can find my book here, on Amazon and in select Humboldt stores. It is 8x10, perfect bound, full color, and 124 pages. $24.99.