To kneel and kiss the (soggy) ground

“this small corner” is an 8x10 mixed media collage made with paper, acrylic paint, colored pencil, ink and glue on cradled wood panel. It is part of the 2025 Makino Studios calendar of art and haiku. © Annette Makino 2024

I’m normally a pretty upbeat person, but I’ve been feeling heavy and down of late. The election results have left me grieving for the alternate future I’d hoped for and dreading the changes under the incoming regime.

election night
slowly unclasping
my pearls

Meanwhile, the bomb cyclone and atmospheric river here on the Northern California coast have kept us mostly housebound for the past week, with brief forays to jump-start the generator or take brief walks between storms.

cold winter rain
the swollen creek also
rushing home

Combined with ceaseless rain, the short, dark days of late November are not helping one bit. Who decided it was okay for the sun to set before 5 p.m.?! The daily loss of light only deepens my melancholy.

mourning dove
the ancient sorrow
in my bones

To combat this gloom, I’m making a conscious effort to focus on everything that’s still good in my part of the world. And what better time to cultivate an attitude of gratitude than Thanksgiving?

this small corner
of the universe . . .
twitching whiskers

It really helps to list all my blessings. For one, though my hair is grayer now, in many ways I feel healthier and fitter than I was fifteen or twenty years ago when I was working full-time and raising two children. Back then it was a challenge just to get dinner on the table, let alone work out and walk in nature every day. Now I take pleasure in my improving strength and balance in tricky yoga poses. And I appreciate that my legs willingly carry me for miles.

Annette Makino and husband Paul W. Blank on the Oregon Coast, October 2024.

I’m also thankful for Paul, my beloved mate of 33 years, a brilliant, funny and kind partner through weather fair or foul.

shore pines
bearded with moss
his laugh lines

We are very fortunate to have warm and easy relationships with our two adult kids. They are interesting and delightful young people who actually seem to enjoy spending time with their ancient parents (within reason). I’m also blessed with a close-knit extended family (hurray for tension-free holidays), a comfortable home and a vibrant community in a beautiful part of the world.

And I’m especially grateful for the gift of meaningful work. In the past I’ve held positions where I felt valued but not essential, meaning someone else could step in and do the same job. And the work, though worthwhile, wasn’t my personal passion. But as Chief Cook and Brush Washer at Makino Studios, I now create art and poetry that no one else could make because it is an authentic expression of my being, borne of my unique life experience.

It means even more that my art resonates for others, providing a bit of beauty and insight in a world that sorely needs both. With zero paid advertising, I sell more than 15,000 cards a year. Though that is barely a rounding error for Hallmark, I see each card as a little spark between two people, helping them express their caring for each other. My calendars, prints and books, often given as gifts, play a similar role. I’m honored to be a vehicle for those connections.

My poems also seem to speak to people: a recently published haiku sequence about losing our dog Misha, called “At the Exit,” garnered heartfelt responses from readers who took the time to email, comment on social media or tell me in person how much it meant to them.

So this season, I give special thanks to you, my supporters, for giving me a sense of purpose, for the gift of right livelihood. As the Sufi poet Rumi said, “Let the beauty we love be what we do. There are hundreds of ways to kneel and kiss the ground.”

Happy Thanksgiving!

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Makino Studios News

Calendars, books and notecard sets are among the Makino Studios items offered at 15% off through this Sunday, Dec. 1, 2024 with code THANKS2024.

Thanksgiving sale: Cards, notecard sets, calendars, books and prints are all 15% off in the shop through this Sunday at midnight. Enter discount code THANKS2024 at checkout. Good on orders of $20 or more while supplies last.

2025 calendars: For the 12th year running, my mini-calendars of haiku and art are still just $12 each (or $10.20 if you catch the Thanksgiving sale). These beautiful little calendars make great gifts for friends and family!

Notecard sets: Browse several designs of holiday and everyday notecard sets. These come eight to a box with eight kraft envelopes.

Greeting cards: You can find 70 single cards in the card section of the Makino Studios site, including some holiday designs. Note that some designs are almost sold out at the moment.

Holiday shipping deadlines: For arrival on or before December 25, please place your order no later than December 17. The mail has been slow these days, so even sooner is safer.

Made in Humboldt Fair: For Humboldt County folks, this event at Pierson Garden Shop in Eureka, CA is running now through Dec. 24. There you can find my book (Water and Stone: Ten Years of Art and Haiku), signed and matted prints, 2025 calendars and notecard sets.

Arcata Holiday Craft Market: This fair takes place Dec. 14-15 at the Arcata Community Center in Arcata, CA. This is my only in-person event this season. Look for the Makino Studios booth on the lefthand side of the main hall.

“It’s complicated”: A year ago I wrote this post about the uneasy history of Thanksgiving, which is relevant again.

Thanks: I always appreciate your feedback, whether by email, in person or on social media.

Credits: Haiku in this post were first published in tinywords, The Heron’s Nest and Wales Haiku Journal.

Taylor Swift and the Trope of the Tortured Poet

“dawn’s early light” is 8x10, made from Japanese washi papers, metallic gold paper, book pages, paint and glue on cradled wood panel. It is the February art for my 2024 calendar. A card version reads, “you light up the room.” © Annette Makino 2023

I must admit I ignored Taylor Swift for years, thinking a pop star with such mainstream popularity, a pretty blonde beloved by teenage girls, would not be my cup of tea. But with the 2020 release of her folk-pop album Folklore, I took another listen—and became a fan. I belatedly discovered she is a gifted songwriter who writes original and interesting lyrics.

As you’ve probably heard, Swift has announced a new album called The Tortured Poets Department, to be released April 19. So does Swift consider herself a tortured poet? As evidence, there is a hand-written poem she recently posted to Instagram that includes lines like “my muses, acquired like bruises” and “my veins of pitch black ink.” Another subtle clue: it’s signed “The Chairman of the Tortured Poets Department.”

And yes, her lyrics often convey suffering. In “All Too Well” she sings, “you call me up again/Just to break me like a promise/So casually cruel in the name of being honest.” And on “Cardigan” she sings, “You drew stars around my scars/But now I’m bleeding.”

But the pain she describes is just one element of her persona; other songs talk about falling in love or tell colorful stories about fictional characters. I suspect Swift’s use of the “tortured poets” label is at least partly tongue-in-cheek, offered with her trademark combination of confession and self-deprecating humor. I guess we Swifties will just have to wait until April 19 for further clarity on this burning issue!

Meanwhile, the album title raises the question: do poets need to be tortured to write good poetry? The poster child for this stereotype is Sylvia Plath, a brilliant poet of pain and despair who took her own life at age 30. For awhile I found that my darker haiku had higher acceptance rates than my neutral or upbeat poems—proof that such poems are inherently stronger or more compelling? (See my anonymous 2013 letter on this question to the Haiku Maven advice column.) But of course, one can write about hard times from a place of acceptance rather than agony.

Despite the trope of the tortured poet—a corollary to the trope of the starving artist—there are plenty of life-affirming poets. Consider Mary Oliver’s lines, “When it’s over, I want to say: all my life/I was a bride married to amazement.” Maybe it comes from spending a lot of time in nature and learning to notice small details, but haiku poets in particular really seem to appreciate life’s gifts.

“scattered feathers” is 5x7, made of watercolor paper, an airmail envelope, washi paper, a vintage Janaese stamp, feathers, paint, thread, ink and glue on paper. © Annette Makino 2021

Tortured or not, I think the most effective poems come from being present and attuned to the world around you. You don’t necessarily have to suffer to write good poetry, but you do need access to depths of feeling and the gift of observation. This helps you write poetry that is accessible, involving some experience readers can relate to even if they have never gone through that exact event. An example:

dawn’s early light
the neighbor’s peacock
tunes up

Poetry—and I include Taylor Swift’s lyrics in that category—helps us make sense of this shifting world, the major triumphs and tortures along with the small moments that, strung together, make up our lives.

scattered feathers
the weight
of being human

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Makino Studios News

Red Moon Anthology: I am thrilled to have the following poem in Upside Down, the 2023 anthology from Red Moon Press of the best English-language haiku of the year. Editors nominated more than 3000 poems for the latest edition, and I’m honored that mine was one of the 146 haiku that made the cut. My thanks to the anthology editors.

alone at the beach
someone else’s dog
brings me a stick

Mother’s Day and graduation: I’ve stocked up on these cards for Mother’s Day (May 12) and graduation (Cal Poly Humboldt commencement is May 11). Browse all 70-odd card designs.

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Publication credits:
“dawn’s early light” - Mariposa; “scattered feathers” - Modern Haiku.

The reality of the artist life

“dream journal” is 8x10, made from book pages, newsprint, junk mail, vintage Japanese letters, washi papers, acrylic paint, glue, charcoal and white ink on cradled wood. It is also available as a card reading, “happy birthday to an extraordinary being.”

When you picture the life of a working artist, do you imagine days filled with sketching ideas or brushing canvasses in a paint-splattered studio? Maybe mixing buckets of paint and experimenting with colors and textures? That was certainly my impression before I became a full-time artist myself!

That picture may be true for some artists, but for me the reality is that actually creating art is just a small part of my work. You might say it's just one arm of the octopus. To give you some idea, here are a few things I’ve been doing these past few days.

• preparing a Zoom presentation and workshop on creating haiga (art with haiku) for a haiku group this Saturday afternoon (and you’re invited! Details in the Makino Studios News section);

• co-editing a conference anthology for the Seabeck Haiku Getaway I attended in October;

• updating my CV and submitting materials for a proposed show of local Asian American artists;

• shipping Makino Studios orders (especially 2024 calendars) and restocking stores (especially cards); and

• working on year-end accounting and tax prep for my business.

Oh, and I wrote several haiku. (As per usual, they are mostly bad, though I think there are a couple with potential.) I also went on several long walks at the beach, woods and marsh, which ultimately inspires most of my art and haiku.

While I sometimes feel frustrated that I don’t have more time in my studio, the reality is that most of these other activities are enjoyable too. For instance, I’m learning a lot about the editorial process by co-editing a publication for the first time. But I definitely do not enjoy bookkeeping!

year-end accounting
I try to reconcile
the past

The truth is that while most of my other commitments are ongoing throughout the year, I tend to create art in concentrated bursts, especially during my summer retreats on the river. My collage papers are just gathering dust right now, but the time will come when I dive back in to art making, tearing paper and splattering paint with gusto!

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I did dip into art-making when my two sisters visited recently. We had fun creating plant prints using leaves and grasses on a gel press, which I will use in future collages. (Photo: Yoshi Makino)

Makino Studios News

Haiga presentation/workshop: In this Zoom event for Komo Kulshan Haiku, a group based in the Pacific Northwest, I will present a selection of my haiga (art with haiku), talk about how to create haiga, and then lead a workshop on pairing haiku with images. You are invited to join this free meeting, which takes place this Saturday, January 20, 1-3 p.m. Pacific. Zoom link: https://us02web.zoom.us/j/89424637034

2024 mini-calendars: I still have some of these calendars of art and haiku for sale, which feature 12 colorful Asian-inspired collages with original haiku.

Valentine’s day cards: February 14 will be here before you know it! I have several cards suitable for Valentine’s Day, such as this collage design reading, “you are my heart’s delight.”

Free shipping: Use promo code FREESHIP35 for free shipping on any order of $35 or more.

From the archives: For more about the challenges of being an artist—and my 23 failed attempts to paint a simple frog—see my 2013 blog post, “The truth about being an artist.”

Thanks: I always appreciate your comments, especially the kind responses to the feature article, “Annette Makino’s life in collage” that ran in the North Coast Journal last month.

A few gel press prints made with plants, which I’ll use for collages.

News story on my art journey

I’m excited to share that this week’s North Coast Journal includes an in-depth article about my creative path! My thanks to Louisa Rogers for the lively and well-researched column—it’s a great holiday gift to be featured. Happy solstice and season’s greetings to all!

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Makino’s “Garden rosebush,” a collage of book pages, a letter and envelope from the artist’s grandmother, handmade and Japanese washi papers, painted, torn and glued onto birch wood panel.

ART BEAT

Annette Makino’s Life in Collage

LOUISA ROGERS, NORTH COAST JOURNAL, EUREKA, CA, DECEMBER 21, 2023

Annette Makino has been an artist all her life but it wasn't until 2010 that she became interested in incorporating haiku into her artwork. For her birthday that year, her Arcata friend and fellow artist Amy Uyeki gave her a book of senryu, a poetic form structurally similar to haiku but with more humor and a focus on human nature. The poems were written by Uyeki’s Japanese grandmother and accompanied by Uyeki’s art.

“This lovely book set me on my current path,” says Makino, whose father is also Japanese. She started combining her haiku with simple brush paintings, which evolved to Asian-inspired watercolors and then collages. A year later, after leaving her 20-year career as senior vice president for communications at the Arcata-based nonprofit Internews, she launched Makino Studios, offering collages, watercolors, prints, cards and calendars.

Annette Makino. Photo by Maya Makino

Currently she works mostly with collage using hand-painted and torn Japanese washi papers, which are typically made from the fibers of the mulberry plant. She also uses other papers from different parts of her life—letters, her young nephew’s scribbles, book pages, musical scores and maps. To make sure the pieces don’t fade over time, she uses acrylic paints to color the white paper, then tears it into the shapes she wants and glues it onto paper or wood, a process that typically takes two to three days. According to Makino, a common misconception is that collage doesn't require much skill. “It’s very labor intensive and can involve as much skill as painting,” she says.

Makino’s most productive periods of artwork happen twice every summer, when she and her husband, Paul, a retired Cal Poly Humboldt geography professor, rent a cabin on the Klamath River in Orleans, a place they've visited for 27 years. In that placid location, free from distractions, she can get a lot of work done.

Makino usually writes the haiku first, before the artwork. “The words aren’t meant to illustrate the art,” she says. “You want a bit of distance, so the reader has a new way to think about the theme.” She often starts crafting the poem while hiking in Ma-le'l Dunes or in Trinidad, where she and Paul walk a couple of times a week.

Makino considers herself equal parts artist and writer. Her book Water and Stone: Ten Years of Art and Haiku was awarded Honorable Mention in the Haiku Society of America's Merit Book Awards and her poetry regularly appears in English-language haiku journals, including Modern Haiku, Frogpond and The Heron’s Nest. She has also won awards for her poetry from the Haiku Foundation and the Haiku Society of America.

Annette Makino’s “All that I am” incorporates book pages, a fern print, a vintage Japanese letter and washi paper, as well as asemic, or made-up, writing by her nephew.

Many of Makino’s haiku have to do with transitions. A few years ago, for example, when her two young adult children started the process of leaving home, she wrote about the empty nest, while the loss of her 16-year-old dog inspired many poems last summer. Her 95-year-old mother Erika, a former Humboldt resident and also a writer and artist, lives three hours away in Mendocino County. Makino visits her about once a month and is keenly aware of her mom’s gradual decline. That, and the earthquake last winter which caused a lot of damage to her home, have inspired her poetry and art. “Whatever life brings me,” she says. 

Makino was one of five local artists granted the 2022 Victor Thomas Jacoby award for “artistic vision and creativity,” provided annually by the Humboldt Area Foundation and Wild Rivers Community Foundation. Winners each received $10,000 to support their work. The award freed her from some of the commercial pressures of running a business and creating mostly marketable art that appeals to the public. Instead, she experimented with mixed media, using materials like charcoal, crayon, ink and pencil in her collages, and exploring oils and cold wax.

North Coast Journal, December 21, 2023

Recently, she’s been incorporating more personally meaningful elements into her collages. Because Paul loves maps, she created a collage for him that included a detailed map of Tibet. Another collage she created with whales incorporated a scrap from her daughter’s high school copy of Moby Dick. For “Garden rosebush,” she says, “I included a letter from my Swiss grandmother when I got married.”

Makino’s Japanese-Swiss ancestry has shaped her creativity. The haiku and Japanese paper may be more apparent to viewers but, “The Swiss, too, are surprisingly very playful in their art and writing,” she says, noting she likes to bring that spirit of play into her work.

Makino’s cards, prints and calendars are available at the Made in Humboldt Fair at Pierson Garden Shop through Dec. 24, and in shops around the county year-round. You can see more of her work at makinostudios.com.

Louisa Rogers (she/her) is a writer, painter and paddleboarder who lives in Eureka and Guanajuato, Mexico.

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Makino Studios News

Made in Humboldt fair: With 300 local vendors, the “Made in Humboldt” event at Pierson Garden Shop in Eureka, CA runs through this Sunday, Dec. 24. There you will find my calendars, books, small prints and boxed notecards.

2024 mini-calendars: I am still shipping out orders through the holidays, especially my calendars of art and haiku! They feature 12 colorful Asian-inspired collages with my original haiku. $12 each.

Free shipping: Earn free shipping on orders for $35 or more; just enter promo code FREESHIP35 at checkout.

Waiting for whales

Sometime last winter, on a coastal trail in Trinidad, CA, my husband and I sat on a bench and watched for migrating whales. We didn’t spot any, but there was a spectacular view of the ocean far below. I joked, “We’ll just have to settle for the Pacific.” Later that experience prompted a haiku.

A few months later, while at the riverside cabin we rent every summer, I had the urge to make a collage of a whale. Though I prefer to use my own photos, in this case I had to turn to Google. I found several appealing images of gray whales to use for reference and quickly sketched the idea.

Next I flipped through the collection of papers that I have painted blue. Sometimes I have to paint the papers I need for a particular piece; other times I’m lucky enough to find what I want already prepared.

Eureka! There was a piece of rice paper that I had quickly painted with turquoise blue liquid acrylics, deliberately leaving white streaks. (These are known as “flying whites” in Japanese calligraphy.) Turned on the diagonal, that sheet of paper perfectly conveyed the quality of beams of sunlight filtering underwater.

I also found some washi papers from Asia that I had painted dark blue using a brayer and a gel press, with bits of rice straw and wood shavings showing through. It was time to start tearing my papers into the desired shapes.

But the single whale in my draft looked lonely. The piece called out for a second whale.

Months earlier, I had painted some pages of my daughter’s high school copy of Moby-Dick. Perfect for the second whale’s fins! I glued everything down on a cradled wood panel. Now the two whales looked like they could be playing with each other, a much more interesting dynamic.

At home later, I added some finishing touches: charcoal to create shadows, a white pencil for highlights, and specks of white ink to make the eyes come alive. I glued on an imprint of my red name seal. I had the piece professionally scanned, then added the haiku digitally using a personalized font made from letters I had brush-painted.

waiting for whales
we settle for
the ocean

The finished haiga is my favorite piece of the year. It is the January art for my 2024 calendar of art and haiku, and I also made a card version that reads, “so glad you’re part of my pod.” (That has emerged as the best-seller among the eight new card designs I released this fall.)

“waiting for whales” is 8x10, made of rice paper, Japanese washi paper, book pages, acrylic paint, glue, charcoal, white ink and white pencil on cradled birch panel. © Annette Makino 2023

Another recent poem about whale-watching, a one-line haiku:

nowhere I’d rather be migrating whales

We didn’t find any whales on that hike, but I found plenty of inspiration. And with gray whale migration season starting again, we’ll keep our eyes peeled!

P.S. If you’re curious about the haiga art form, the Haiku Society of America has just published an essay I wrote titled, “Pleasures and pitfalls in creating haiga.”

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“waiting for whales” appeared in the Haiga Gallery of Contemporary Haibun Online, December 2023.

“nowhere I’d rather be” appeared in The Heron’s Nest, September 2023

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Makino Studios News

2024 calendar sale: These calendars of art and haiku are 10% off through this Sunday, Dec. 10! They feature 12 colorful Asian-inspired collages with my original haiku. Normally $12 each, currently $10.80.

Free shipping: Earn free shipping on everything in the shop through Sunday, Dec. 10, 2023. Enter promo code HOLIDAY23 at checkout. No minimum order. Applies to first-class shipping in the US.

Holiday Craft Market: The only in-person fair I am doing this season takes place this 10-5 this Saturday, Dec. 9 and 10-5 on Sunday, Dec. 10, at the Arcata Community Center in Arcata, CA. $1 admission. Catering by Mother’s Cooking Experience. Hope to see you there!

Made in Humboldt fair: The “Made in Humboldt” event at Pierson Garden Shop in Eureka, CA runs through Sunday, Dec. 24; there you will find my calendars, books, small prints and boxed notecards. There are 250 participating vendors, all local.

Water and Stone: My award-winning book of art and haiku includes 50 watercolor paintings with my original poems. Cost is $25. You can find it online here, on Amazon and in select local Humboldt stores. 

Cards: Holiday, birthday, sympathy or everyday… right now there are 70 Makino Studios card designs to choose from, including eight new designs. I also have several notecard sets, including holiday designs.

Holiday order deadline: To make sure your package arrives by December 25, please order by Friday, December 15. Makino Studios ships via USPS Ground Advantage and first-class mail. The elves are standing by!

Thanks: I always appreciate your comments, including all the emailed responses to my last post, “It’s complicated: Celebrating a holiday with a dark past.”

It's complicated: Celebrating a holiday with a dark past

“to everything a season” is 8x10, made of washi papers, acrylic paint, and glue on cradled wood panel. This is one of the pages of the 2024 calendar of art and haiku, and is available a holiday card or notecard set reading, “Wishing you joyful holidays”. © Annette Makino 2023.

Thanksgiving 1968. My kindergarten classmates and I dress up in pilgrim hats and Indian headbands for a “feast” of snacks at the classroom’s long formica tables. My hat, made from a paper plate and crumpled tissue paper flowers, is awkwardly tied under my chin with yarn.

It was the first of many whitewashed lessons about this holiday, touting peace and harmony between white European settlers and Native Americans. As a child, I was dubious about the fashion but never thought to question the story. Yet despite the version most of us learned in school, Thanksgiving has complex and dark beginnings.

When visiting my son at Whitman College last month, I got to see Larissa Fasthorse’s “The Thanksgiving Play." This is a very entertaining, satiric look at the efforts of four well-meaning white characters to produce a politically correct Thanksgiving play for an elementary school. Given the lack of Indigenous actors or writers, the characters reach the comically logical conclusion that the most respectful way to honor the Native American side of the story is to leave them out of the play altogether.

That is clearly an absurd solution. But how can we best celebrate a day with such a checkered history?

My kindergarten portrait, without the Pilgrim hat.

I focus on the Indigenous tradition of giving thanks for nature’s abundance, and to the practice of modern-day people, Indigenous and not, to focus on the gift of family. I’m also educating myself on the history behind Thanksgiving—the National Museum of the American Indian offers great resources.

The Haudenosaunee Thanksgiving Address, which expresses gratitude for all life, begins: “Today we have gathered and we see that the cycles of life continue. We have been given the duty to live in balance and harmony with each other and all living things. So now, we bring our minds together as one as we give greetings and thanks to each other as people. Now our minds are one.”

In that spirit, here’s wishing you a happy and abundant Thanksgiving.

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Makino Studios News

Everything in the shop is 15% off with promo code THANKS23 through Sunday, Nov. 26!

Thanksgiving sale: Use promo code THANKS23 at checkout for 15% off everything in the Makino Studios shop except original art. No order minimum. Good for first-class shipping within the U.S. Only one promo code per order. Sale ends at midnight this Sunday, Nov. 26.

Made in Humboldt fair: The “Made in Humboldt” event at Pierson Garden Shop in Eureka, CA runs through Sunday, Dec. 24; there you will find my calendars, books, small prints and boxed notecards. There are 250 participating vendors, all local.

Holiday Craft Market: The only in-person fair I am doing this season takes place Saturday and Sunday, Dec. 9 and 10, at the Arcata Community Center in Arcata, CA. $1 admission. Catering by Mother’s Cooking Experience.

2024 mini-calendars: These calendars of art and haiku make great holiday gifts, as evidenced by the customers who buy 5, 10, even 20 at a time! They feature 12 colorful Asian-inspired collages with my original haiku. $12 each.

Water and Stone: My award-winning book of art and haiku includes 50 watercolor paintings with my original poems. Cost is $25. You can find it online here and in select local Humboldt stores. 

Cards: Holiday, birthday, sympathy or everyday… right now there are almost 70 Makino Studios card designs to choose from, including eight new designs. I also have several notecard sets, including holiday designs.

Art prints: Blake’s Books in McKinleyville carries a selection of my art prints, ready for gifting. They are among the local stores that carry my books, calendars, notecards and single cards.

Holiday order deadline: If you’d like your package to arrive by December 25, please order by Friday, December 15. Makino Studios ships via USPS Ground Advantage and First-class mail. The elves are standing by!

The Galápagos in haiku

“Enchanted Islands” is 11x14, created with oil paint, cold wax medium, rice paper and sumi ink on paper. © Annette Makino 2023

So my husband and I made a once-in-a-lifetime trip to the Galápagos Islands last December. We had a truly magical week seeing blue-footed boobies, Galápagos penguins, land tortoises and sea lions, all unafraid of the gawking humans.

We kayaked through a lagoon with sea turtles, marine iguanas and rays. We snorkeled through lava tunnels with whitetip reef sharks and schools of brilliant tropical fish. And we hiked around a volcano crater, meeting a land iguana in the wild. I now understand why the place that Charles Darwin made famous is known as the Enchanted Islands.

As soon as we returned to mainland Ecuador, I came down with a nasty case of Covid. I had to spend the next week alone in a hotel room while my husband traveled around with our son, who spent fall semester there. (Fortunately for me, Uber Eats operates in Quito!)

Despite getting sick, I’m thankful that I got to the Galápagos, and am still processing the trip. Today I am sharing a recently published haiku sequence from that time. I hope this gives you a sense of the experience—without the cooties!

Galápagos 

Enchanted Islands
a sea turtle glides
along our kayak 

through the waves
without a narrator
marine iguana 

local character
a sea lion snoozes
on a park bench 

cumulus clouds 
flowing over the rim
cooled lava

luggage piled
on the boat taxi’s roof
frigate birds 

my breath
into thin air . . .
volcano fog

I would love to know hear what places are on your bucket list!

Publication credit: Frogpond, 46:2, Spring/Summer 2023

Sleeping sea lion spotted in Puerto Ayora on Santa Cruz Island, the Galápagos Islands, Ecuador.

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Makino Studios News

Hello summer: Cards, notecard sets, books, prints—take 15% off everything in the store with your order of $15 or more thru 11:59 p.m. this Sunday, July 2. Enter code SUMMER15 at checkout. One code per order.

Sunkist Festival: This small and delightful fair, cancelled due to rain in May, has been rescheduled for Sunday, August 6, from 11 to 5. Besides arts and crafts booths, the festival will feature wood-fired pizzas and other goodies plus live music. 135 Sunkist Lane, off Glendale near the Blue Lake Murphy’s Market in McKinleyville, CA.

Obon Festival: Organized by Humboldt Asian Pacific Islanders in Solidarity (HAPI), the Obon Festival will take place on Sunday, August 13 at the Creamery District in Arcata, CA. There will be taiko drumming, bon odori dancing, bento boxes, games for kids and vendors like me. (I’ve decided not to do the North Country Fair in September, so these two fairs are your best shot at catching my Makino Studios booth in the coming months!)

Studio visits: If you can’t make it to the fairs, I am also happy to schedule a visit to my home studio located between Arcata and Blue Lake, CA.

Meanwhile: I’ve been working away on my art, experimenting with a new technique (oil and cold wax medium, as in the sea turtle piece above), and playing with more mixed media in my collages. In the coming months these will find their way into cards, calendars and eventually another book like Water and Stone!