haiku poetry

Finding a warm community

software update
the maple releasing
its obsolete

                       l

                            e

                                       a

                                v

                       e

                            s

“software update” is 11x14, made with acrylic paint, paper, pen and glue on cradled wood. This is a page from my 2025 calendar. A card version reads, “have a wild and crazy birthday”. © Annette Makino 2024

I had a wonderful time at the Seabeck Haiku Getaway last month! It was four days of marinating in all things haiku with fellow poets in beautiful Seabeck, Washington.

Since the conference theme was maps, I recruited my geographer husband, Paul W. Blank, to lead a “Walk on the World” session with his giant maps that show the world at 16 miles to the inch. It was great fun wandering across Eurasia in our stocking feet! Many haiku emerged from his session and others.

The schedule was packed with presentations and “Write Now” exercises, many on the theme of maps and travel. Featured guest Crystal Simone Smith shared her moving haiku inspired by 19th century fugitive slave ads; she also led us in exploring new haiku approaches.

The Seabeck Haiku Getaway always includes a kukai, a contest of haiku written at Seabeck that is judged by the participating poets. I was honored that both of my submissions placed, tying for first and sixth. Here is my first-place poem:

Geographer Paul W. Blank, far right, explains the big maps at the Seabeck Haiku Getaway in October 2024.

Tokyo alley
I run into
the moon from home

But for me, the best part of the long weekend was deepening my ties to the haiku clan. During communal mealtimes, walks in the woods and late-night socializing, I got to reconnect with poet friends and meet others I’d only known by name. Basking in this community was especially precious to me since I live far from any in-person haiku groups.

Earlier this year haiku poet P. H. (Peter) Fischer and I co-edited the conference anthology for the 2023 Seabeck Haiku Getaway. Published by Haiku Northwest, it was distributed at last month’s gathering. Winds Aloft features terrific cover art of Seabeck and six haiku comics by graphic novelist David Lasky, as well as poems by almost all of the 56 conference participants that year. Here’s one of mine inspired by the bigleaf maples at Seabeck:

the last rays of sun
offered back to the sky
yellow maple

As Peter and I wrote in the introduction, “Haiku poets are a special breed. The habit of keenly observing life’s details tends to make people more attuned, thoughtful and appreciative. Or perhaps it works the other way around. In any case, each year this unique tribe gathers at Seabeck to create a warm community of like-minded folks. In the words of physicist Douglas Hofstadter, in this kind of synergy, ‘The soul is greater than the hum of its parts.’ We appreciate everyone who added their own unique hum to the magic that is Seabeck.”

In these turbulent times, we need community more than ever. So on this, my eighth time at Seabeck, I was grateful once again to be welcomed into the fold.

Makino Studios News

These are just four of the notecard sets on sale at 20% off in the Cards section. Sale ends this Sunday, Nov. 17, 2024.

SALE on notecards: I’m offering 20% off all holiday and everyday notecard sets. These come eight to a box with eight kraft envelopes. Normally $20, they are on sale through midnight this Sunday, Nov. 17 for $16 with promo code NOTECARD20. Most of these designs are also available as single cards with words.

2025 calendars: So far this season, more than 500 of my mini-calendars of art and haiku have gone out the door! Still just $12 each, these lovely little calendars make great gifts for friends and family.

Greeting cards: You can find most of my newest single cards at the top of this collection of 70 designs. These cards are made with fiber from responsibly managed forests and the mill uses green energy and carbon offsets. They are printed in Arcata, California by an independent small business and go for $5 each.

Holiday shipping deadlines: For arrival on or before December 25, please place your order no later than December 17. The mail has been slow these days, so even sooner is safer!

Made in Humboldt Fair: This event at Pierson Garden Shop in Eureka, CA runs through Dec. 24. There you can find my book (Water and Stone: Ten Years of Art and Haiku), signed and matted prints, 2025 calendars and notecard sets.

Arcata Holiday Craft Market: This fundraiser for the Arcata Recreation Department’s youth scholarship program takes place Dec. 14-15 at the Arcata Community Center in Arcata, CA. Look for the Makino Studios booth on the lefthand side of the main room. This is my only in-person event this season and I will be offering some deals and closeouts.

Social: I’ve given up on Twitter/X, but I regularly post art, haiku, news and more on Instagram and Threads as @annettemakino and on Facebook as Makino Studios (links below). See you over there!

Thanks: I always appreciate your feedback, whether by email, on social media or here in the comments.

Credit: “the last rays of sun” - 5th place tie, kukai at Seabeck 2023; in Winds Aloft: 2023 Seabeck Haiku Getaway Anthology, Eds. Annette Makino and P H. Fisher, Haiku Northwest, 2024

Taylor Swift and the Trope of the Tortured Poet

“dawn’s early light” is 8x10, made from Japanese washi papers, metallic gold paper, book pages, paint and glue on cradled wood panel. It is the February art for my 2024 calendar. A card version reads, “you light up the room.” © Annette Makino 2023

I must admit I ignored Taylor Swift for years, thinking a pop star with such mainstream popularity, a pretty blonde beloved by teenage girls, would not be my cup of tea. But with the 2020 release of her folk-pop album Folklore, I took another listen—and became a fan. I belatedly discovered she is a gifted songwriter who writes original and interesting lyrics.

As you’ve probably heard, Swift has announced a new album called The Tortured Poets Department, to be released April 19. So does Swift consider herself a tortured poet? As evidence, there is a hand-written poem she recently posted to Instagram that includes lines like “my muses, acquired like bruises” and “my veins of pitch black ink.” Another subtle clue: it’s signed “The Chairman of the Tortured Poets Department.”

And yes, her lyrics often convey suffering. In “All Too Well” she sings, “you call me up again/Just to break me like a promise/So casually cruel in the name of being honest.” And on “Cardigan” she sings, “You drew stars around my scars/But now I’m bleeding.”

But the pain she describes is just one element of her persona; other songs talk about falling in love or tell colorful stories about fictional characters. I suspect Swift’s use of the “tortured poets” label is at least partly tongue-in-cheek, offered with her trademark combination of confession and self-deprecating humor. I guess we Swifties will just have to wait until April 19 for further clarity on this burning issue!

Meanwhile, the album title raises the question: do poets need to be tortured to write good poetry? The poster child for this stereotype is Sylvia Plath, a brilliant poet of pain and despair who took her own life at age 30. For awhile I found that my darker haiku had higher acceptance rates than my neutral or upbeat poems—proof that such poems are inherently stronger or more compelling? (See my anonymous 2013 letter on this question to the Haiku Maven advice column.) But of course, one can write about hard times from a place of acceptance rather than agony.

Despite the trope of the tortured poet—a corollary to the trope of the starving artist—there are plenty of life-affirming poets. Consider Mary Oliver’s lines, “When it’s over, I want to say: all my life/I was a bride married to amazement.” Maybe it comes from spending a lot of time in nature and learning to notice small details, but haiku poets in particular really seem to appreciate life’s gifts.

“scattered feathers” is 5x7, made of watercolor paper, an airmail envelope, washi paper, a vintage Janaese stamp, feathers, paint, thread, ink and glue on paper. © Annette Makino 2021

Tortured or not, I think the most effective poems come from being present and attuned to the world around you. You don’t necessarily have to suffer to write good poetry, but you do need access to depths of feeling and the gift of observation. This helps you write poetry that is accessible, involving some experience readers can relate to even if they have never gone through that exact event. An example:

dawn’s early light
the neighbor’s peacock
tunes up

Poetry—and I include Taylor Swift’s lyrics in that category—helps us make sense of this shifting world, the major triumphs and tortures along with the small moments that, strung together, make up our lives.

scattered feathers
the weight
of being human

Makino Studios News

Red Moon Anthology: I am thrilled to have the following poem in Upside Down, the 2023 anthology from Red Moon Press of the best English-language haiku of the year. Editors nominated more than 3000 poems for the latest edition, and I’m honored that mine was one of the 146 haiku that made the cut. My thanks to the anthology editors.

alone at the beach
someone else’s dog
brings me a stick

Mother’s Day and graduation: I’ve stocked up on these cards for Mother’s Day (May 12) and graduation (Cal Poly Humboldt commencement is May 11). Browse all 70-odd card designs.

Publication credits:
“dawn’s early light” - Mariposa; “scattered feathers” - Modern Haiku.