Washington

Welcome to the eternal now

"foamy surf" is 11x14, painted with sumi ink and Japanese watercolors on paper. It depicts the Lost Coast in Humboldt County, California.

"foamy surf" is 11x14, painted with sumi ink and Japanese watercolors on paper. It depicts the Lost Coast in Humboldt County, California.

Recently I spent a long, boring week in bed with the flu. When not sleeping, reading, or writing whiny haiku about being sick, I did some musing on the nature of time. 

There are so many ways that we fight with time. In the short term, like most modern-day humans, I often feel that there is not enough time in the day to do everything I want to do, like paint. So it was frustrating to be bedridden for days, with too much time on my hands but not enough energy to do anything with it!

In the long term, as I get older, I feel a keener awareness of my limited time here on earth, and my finite window to contribute to the world. This, too, can lead to frustration that I am not accomplishing more.

Time can also seem like an enemy because we only experience it flowing in one direction. As a result, it’s natural to compare the present with the concrete and specific past that we clearly remember rather than the misty, unknown future. 

And so we focus more on aging and loss: the slim waistline and the full, dark hair we once took for granted, the steel-trap memory grown rusty, the friends who have passed on. Why not focus instead on the fact that we are probably healthier, sharper, and more energetic today than we will be down the line?

"celebrate" is 5x7, an image of cherry blossoms painted with sumi ink and watercolors on paper.

"celebrate" is 5x7, an image of cherry blossoms painted with sumi ink and watercolors on paper.

celebrate!
you’re younger now
than you’ll ever be

What if, as in The Curious Case of Benjamin Button, we aged in reverse? Would we be more enthusiastic about growing “older” if it meant becoming more youthful? Yes, eventually there are diapers, mushy food and babbling at both ends of life. But for some reason this is adorable in toddlers, embarrassing in the old.

Anyhow, Benjamin Button is a work of fiction. As Kierkegaard said, “Life can only be understood backwards; but it must be lived forwards.” 

Maybe we would be happier if we fully grasped the discovery from quantum physics that time is malleable and relative. What if time does not exist in any fundamental sense except as a useful conceptual tool for navigating our world? To quote sci fi writer Ray Cummings, “time is what keeps everything from happening at once.”

Although none of us are evolved enough to transcend time permanently (is that what death is?), we have all experienced the state of “flow” when we lose awareness of the passage of time. It might be while surfing, reading a great book, or playing music with friends. When I am painting—a right-brain activity—I’m focused on color and form, and the hours flow by uncounted.

Paradoxically, perhaps we would feel we had “enough time” if we spent more of our days in this mode beyond time, when we are fully present and engaged in each moment. It shouldn't be that hard to do: as young children, we passed most of the day in this state, fully immersed in exploration and play. 

On my way to the beach, I often hike by some cement water tanks that have been covered in graffiti for years. Today I was tickled to see that a county worker had painted it all out except this one line: “Welcome to the eternal now.”

foamy surf
rushing out
my inner child

Zen graffiti on a water tank at Ma-le'l Dunes in Manila, California.

Zen graffiti on a water tank at Ma-le'l Dunes in Manila, California.

Makino Studios

2018 Golden Haiku Competition: I’m delighted to share that the haiku below was selected to be featured on a sign in downtown Washington, DC this month! If any of my DC readers sees it, in the Golden Triangle neighborhood between the White House and Dupont Circle, please send me a photo!

daffodil shoots-Golden Haiku sign.jpg

North Coast Open Studios: Mark your calendar for the 20th anniversary of this fun, free event, when more than a hundred Humboldt County artists open their studios to the public. I will once again join silk painter Tina Gleave and other artists at the Samoa Women’s Club in Samoa, CA for Weekend 1, June 2-3. 

More thoughts on aging: A 2013 blog post, “Younger than we’ll ever be,” uses prose, art, and haiku to explore the theme of coming to terms with getting older.

The path unfolds

“leaf light” is based on a 19×12 original, painted with sumi ink and Japanese watercolors on rice paper. It is available as a signed 11×14 digital print or a card. © 2013 Annette Makino

“leaf light” is based on a 19×12 original, painted with sumi ink and Japanese watercolors on rice paper. It is available as a signed 11×14 digital print or a card. © 2013 Annette Makino

Our daughter started college this fall. Before it happened, I couldn’t fully understand how much lies behind that simple statement—hope and excitement for your child’s future mixed with worry and sadness at their leaving.

For weeks after we dropped Maya off, the smallest thing could bring me to tears, like measuring oatmeal for three instead of four. My husband, son and I all miss her effervescent spirit, affectionate nature and hilarious observations. She has left our home quieter, tidier, and less exciting. It seems unfair that after eighteen years of the hard work of parenting, now that she’s pretty much perfect, she’s gone!

But happily, I got to visit Maya at the University of Puget Sound in Tacoma, Washington earlier this month. (In a sweet bit of synchronicity, my freshman roommate at Stanford lives ten blocks from campus, so I also got to visit this dear friend.) To my delight, Maya decided to accompany me to the Seabeck Haiku Getaway.

geese arrowing south
part of my heart
in the passenger seat

For four days along beautiful Hood Canal, fifty poets talked, wrote and shared haiku, and I enjoyed giving a presentation on the process of creating my haiga (haiku art). As ever, it was a fun and inspiring retreat, and there was even time to hike through the woods and soak up sunlight by the lagoon.

awakened
by the breakfast bell—
sun through cedars

Haiku ahead! Annette Makino and daughter Maya at the Seabeck Haiku Getaway, October 2015.

Haiku ahead! Annette Makino and daughter Maya at the Seabeck Haiku Getaway, October 2015.

Between studying and writing essays for school, Maya penned some fine haiku of her own, like this one:

autumn clouds
all the people
I could be

And at the end of the long weekend, two of my poems, less than an hour old, won prizes in the “kukai” haiku contest. This one, written while lying under a big maple tree with Maya, is a gentle message to myself in this time of transition:

a gust of wind
swirls through the maple—
the art of letting go

Back in 2013, when I returned from Seabeck, I created the “leaf light” piece above based on a forest trail there. Thinking about Maya’s leaving, it is a reminder to have faith in times of loss, change and uncertainty—and to keep walking.

leaf light
tree by tree
the path unfolds

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Makino Studios News

2016 calendar: A wall calendar of art and haiku, featuring twelve of my paintings of landscapes, animals and flowers, is now on sale in stores and online. From ocean waves to oak-covered hills, this mini-calendar provides a monthly dose of Zen wisdom.

New cards: I’ve posted eleven new and updated card designs to the MakinoStudios Etsy shop and they are also available in stores.

Made in Humboldt: More than 50 card designs, plus prints and calendars will be offered at this holiday sale at the Garden Shop of Pierson Building Center in Eureka, CA Nov. 17-Dec. 24.

Holiday Craft Market: Makino Studios will have a booth at this fair in the Arcata Community Center in Arcata, CA on Saturday and Sunday, Dec. 12-13.

Connecting: I appreciate the kind responses to my last post, “One brushstroke at a time.” You can also get news, art and haiku on my Makino Studios Facebook page and my Twitter feed.

"leaf light" has been published in The Sacred in Contemporary Haiku, edited by Robert Epstein, 2014; and in the 2013 Seabeck anthology, A Warm Welcome (it is also used for the cover art).