The worth of this day

“how to measure” is 5x7, made with a sand dollar, a Japanese stamp, hand-painted Japanese washi papers and other found papers on illustration board. © Annette Makino 2021

I’m delighted to share that, for the second year in a row, I’m one of three finalists for Best Local Artist in the North Coast Journals’s Best of Humboldt contest! The others are mural artists Duane Flatmo and Blake Reagan. Anyone can vote, once a day through June. I hope you will take a moment to support me and all your favorite local people and places.

As any working artist can tell you, there are many easier and more lucrative ways to make a living. Vincent van Gogh, now one of the world’s most famous artists, only survived due to financial support from his brother.

Though they may not have a brother like Theo, most of the artists I know rely on additional sources of income like teaching art, a day job, grants or a partner with good benefits. And the most financially successful artists aren’t necessarily the best at making art; they’re just really skilled at self-promotion and the business side of art. Look no further than the balloon rabbit sculpture by Jeff Koons that sold for $91 million a couple years ago.

Unlike Koons’ balloon animals, my creative work brings in a fraction of what I earned in my old professional life. But the freedom and quality of life I enjoy are priceless. 

how to measure
the worth of this day
sand dollar moon

And whether it’s a painting, a poem, or a song, there is a special satisfaction in creating something meaningful that no one else could have made.

art studio
a full day’s work
under my nails

Although it doesn’t clearly show on a balance sheet, knowing that my work touches others only multiplies the rewards. After ten years of running Makino Studios, I’m still quietly amazed to receive checks from stores in the mail, because it means that perfect strangers are willing to pay for my art. Deepest thanks to my customers and fans for your ongoing support.

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“how to measure” haiga published in Modern Haiku, Issue 52.2, Summer 2021

“art studio” haiku published in The Heron’s Nest, Volume XXII, Number 2, June 2021

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“first warm breeze” is 5x7, made with a Japanese stamp, hand-painted Japanese washi papers and twine on illustration board. © Annette Makino 2021

Makino Studios News

Best Local Artist: I’m a finalist for Best Local Artist in the North Coast Journal’s 2021 Best of Humboldt contest! Anyone can vote, every day in June, and I’d love your support.

New artwork: Four of my collage pieces are featured in the Poetry Gallery section of the latest issue of Modern Haiku, including the two shown here. You can view all of them and many others in the Gallery section.

“Word and Image: Exploring Modern Haiga”: I will present this session on haiga, or art combined with haiku, together with Linda Papanicolaou, Editor of HaigaOnline, at the Haiku Society of America’s annual conference. This year’s event runs this Saturday and Sunday, June 12-13, and is free via Zoom. Anyone can register. Our 50-minute workshop is Sunday at noon Pacific time. 

Water and Stone: Ten Years of Art and Haiku: My book is almost ready and I’m hoping to publish shortly! It features fifty watercolor haiga along with fifteen new haibun (autobiographical prose pieces with haiku). This softbound book will be 8x10, full color, 124 pages, on sale at Amazon or select independent bookstores for $24.99.

North Country Fair: This annual fair on the Arcata Plaza is scheduled to take place Sept. 18-19 this year, if COVID-19 safety permits. Makino Studios will be there!

Free shipping on cards and prints: Use code FREESHIP35 to get free first-class shipping on cards, prints, or other items on US orders of $35 or more.

What we've survived

“bright green needles” is 8x10 and is available as a greeting card. © Annette Makino 2021

Well, it feels like we are finally turning the corner on the COVID-19 pandemic. My family is fully vaccinated, along with 40% of Americans, and I feel an expanding sense of relief. 

My husband, son and I took advantage of our newfound freedom by driving to San Francisco last week. I have been craving artistic inspiration, so we hit two museums and two galleries in three days. We also visited the Japanese Tea Garden, the new Salesforce Park, Chinatown, North Beach and the scruffy, artsy SoMA neighborhood, walking eight to ten miles every day. 

San Francisco
steep streets spilling
into the bay

It was rejuvenating to leave home for the first non-essential trip in fourteen months, and to experience the energy of urban life. Outside many restaurants, pleasant outdoor booths line the streets in place of parked cars. Some eateries offer customers QR codes to snap with their phones instead of touching old-fashioned paper menus.

city maze
falling in love with
the GPS man

But we were shocked to see how hard the city has been hit by the pandemic. Whole blocks of Chinatown are mostly shuttered and many restaurants have gone under. Even big national chains in prime spots have closed, like the giant Uniqlo and Gap stores near Union Square. The tourists are slowly starting to return, but it could take a long time for downtown to recover. 

Back home, we are not out of the woods. Though Humboldt County fared well earlier in the pandemic, now with the spread of the more contagious B.1.1.7 variant, we have the worst COVID-19 case rates of all 58 California counties. The deaths and lingering side effects will haunt us for a long time, as well as the lost livelihoods and failed dreams of this brutal past year.

With all this in mind, I created the above collage haiga (art plus haiku). I used hand-painted and torn Japanese papers, sumi ink, prints made from ferns and redwood sprigs, and vintage Japanese letters from the 1920s. Though our scars may not always be visible, we have each come through a lot to get here. This  piece honors that struggle and the process of growth, and is meant to evoke a sense of hope and healing after trauma. 

bright green needles
on the fire-scarred redwood—
what we’ve each survived

Here’s to survival and new growth!

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“kingfisher” is 8x5. This collage of a female Belted Kingfisher was commissioned as the cover for the excellent new Kingfisher haiku journal. Check it out! © Annette Makino 2021

Makino Studios News

“The ultimate affirmation” - The Eureka Times-Standard ran a lovely feature on my Touchstone Award for haiku, including my process of writing poems and creating collages.

“Word and Image: Exploring Modern Haiga” - I will present this session on haiga, or art combined with haiku, together with Linda Papanicolaou, Editor of HaigaOnline, at the Haiku Society of America’s annual conference. This year’s event runs Saturday and Sunday, June 12-13, and is free via Zoom. Anyone can register. From the program:

Annette Makino will first share a brief slide show of some of her watercolor haiga over the past ten years. Her presentation will draw from the first full-length book of her art, called Water and Stone, with publication in Summer 2021. Linda Papanicolaou will then explain approaches to linking and shifting between the words and image in haiga, with examples. For the bulk of the session, participants will try their hands at writing haiku to accompany several provided images. There will be time to share the results of this foray into creating haiga. 

Water and Stone - I am close to finishing my book manuscript! This will feature my fifty favorite watercolor haiga of the past ten years, along with fifteen new haibun (autobiographical prose pieces with haiku). I’m hoping to have it ready in June or July.

Cards - My current card designs, including the new “bright green needles” design above, are available here.

2021 fairs and events - Northcoast Open Studios, which is usually held in late May and early June, will not take place this spring, but may happen in the fall. The North Country Fair on the Arcata Plaza is scheduled to take place Sept. 18-19 this year, if COVID-19 safety permits. 

Thanks - I really appreciate all the kind responses to my last post, “Big news on Haiku Poetry Day.”

My heart's delight

“you are my heart’s delight” is 5x7, made with a Japanese postage stamp, paper made with flower petals, Japanese washi papers, gold foil, a small feather and embroidery thread on paper. It is available as a printed card.

Last fall my friend Dave gave me his Japanese stamp collection, with vintage and modern stamps featuring geishas, fans, carp, and cherry blossoms. Though they are beautiful, I didn’t touch them for months, feeling too busy and distracted to create much. 

But January brought us capable, compassionate and sane new leadership in the White House—what a relief! Along with the steady rollout of COVID19 vaccines, I am feeling much lighter and more optimistic. As a result, I feel more free to create art!

I recently dug out those stamps and they inspired me to create a series of Japanese-themed collages, still in process. I’m having such fun playing and experimenting!

In addition to the postage stamps, most of my new pieces include natural objects like feathers, sand dollars, or willow twigs. Many incorporate the traditional Japanese embroidery technique of sashiko, a simple running stitch. And I have been writing haiku to go with some of them.

The first in this series, shown above, is a Valentine’s card for my husband Paul, who really is my heart’s delight. 

white linen
the easy sunlight
in his smile

His card is composed of handmade paper made with flower petals, Japanese washi papers, gold foil, a small feather, a Japanese postage stamp of cherry blossoms and hand-stitching with embroidery thread. Hopefully, these disparate elements join together in an interesting and  harmonious way—much like a long partnership.

On Sunday Paul and I will mark our 30th Valentine’s Day together. This year, instead of eating out at a fancy restaurant or going to a show, we’ll celebrate at home with a romantic candlelight dinner—for five! But whatever the conditions, I’m just grateful we’re together.

Happy Valentine’s Day to you!

“Happy Valentine’s Day” - This card is based on an original collage that incorporates a Japanese postage stamp, a sumi ink painting of plum blossoms, gold foil, painted washi papers from Japan and hand-stitching with embroidery thread. 

Publication credit: “white linen” was first published in Frogpond 36:2 (Spring/Summer 2013)

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Makino Studios News

NEW - matted prints: I’ve posted eight small signed and double-matted prints , mostly of landscapes. The outside dimensions are 8x10 with the mat. Each one comes in a cellophane sleeve with an artist’s bio and is $18 plus tax and shipping.

Still need a calendar? Well, 641 of my 2021 calendars of art and haiku have gone out the door, but there are still nine left ($12 each)!

Interesting times

“trust that the future” is 8x10, made of paper, acrylic paint, and adhesive on illustration board. It is available as a greeting card. A haiku version appears in my 2021 calendar. © Annette Makino 2020.

What an intense and stressful time we're living through: a fraught election, a worsening pandemic, economic distress, racial unrest and climate-driven disasters, just for starters. The year 2020 embodies the ancient curse, “may you live in interesting times.” 

Long-term, I honestly don't know if we will get through this as a species, especially at the rate we’re destroying our home planet and its climate.

lights out—
we discuss
our extinction

But just days before the end of the election, I am finally daring to hope. Massive early voting shows we may be amidst a sea change, a shift away from the politics of hate and divisiveness.

Voting in staggering numbers, young people especially are giving me hope. The three young folks in my house are closely tracking the election news and urging their social media followers to vote. My daughter and I have written several hundred letters and postcards to voters.

Meanwhile, when the stress becomes overwhelming, I try to take my own advice in the card shown above, part of my new collage series:

trust that the future
is already unfolding
from long-planted seeds

And if the election goes badly for us, we can always emulate the migrating birds:

campaign season
geese practice leaving
the country

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“lights out” was first published in Acorn, No. 45, Fall 2020

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Makino Studios News

NEW: Holiday notecards: I’ve made boxed sets of holiday notecards from three of my new collage designs. There are eight cards and eight kraft envelopes per box. These cards are also available as single 5x7 cards.

NEW: 2021 mini-calendar: My new calendars of art and haiku are now available online and in select local stores! They feature 12 of my new collages with original haiku. These make great holiday gifts!

Made in Humboldt fair: You can find my calendars, prints and boxed notecards at the “Made in Humboldt” event at Pierson Garden Shop in Eureka, CA from Tuesday, Nov. 10 through Tuesday, Dec. 24. This will be the only fair where you can find my work this season.

Seabeck Haiku Getaway: I will be giving a reading of my haiku and presenting my new collage haiga (art with haiku) at this annual gathering, which is being held on Zoom this year. This free event takes place this weekend, Oct. 30-Nov. 1. Registration is now open to everyone.

Sneak preview of the new collage collection

“fog becoming redwoods” is 8 x 10, made of paper, acrylic paint, and adhesive on illustration board. © Annette Makino 2020.

First of all, I want to thank everyone who responded to my last post (Big Changes in the Studio), where I shared my new artistic direction creating Japanese-inspired collages. I was genuinely uncertain whether this big shift in style and technique would appeal to my longtime fans and customers. 

But based on your enthusiastic responses, I have gone ahead and designed a line of fifteen new greeting cards based on my collages. These new cards should be back from the printer on Monday. To sneak a peek at the new collection, see this page of all my Makino Studios card designs. I’m excited to share my new designs for the holidays, birthdays, sympathy and more.

I’m also very happy about my new 2021 calendar of art and haiku. This is my eighth year of producing these—and my favorite yet. Arriving next week, these mini-calendars feature a dozen of my new collages along with original haiku.

I’m not able to do any in-person holiday fairs this year, and some of my retailers are seeing reduced sales during this pandemic. Consequently, I have printed 100 fewer calendars than usual. So order soon to be sure to get enough for yourself and for holiday gifts!

My collages, using discarded materials such as old letters and canceled checks as well as hand-painted washi papers, may be a fitting medium for this strange, disjointed time. In adapting to the pandemic, we are all having to gather bits and pieces from our old lives, then transform and rearrange them in unexpected ways. 

Please let me know your thoughts on the new collection, and enjoy! 

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“what remains” is 8 x 10, made of paper, acrylic paint, and adhesive on illustration board. © Annette Makino 2020. The haiku was originally published in With Cherries On Top, Press Here (2012).

Makino Studios News

Seabeck Haiku Getaway: I will be giving a reading of my haiku and presenting my new collage haiga (art with haiku) at this annual gathering, which is being held on Zoom this year. This free event takes place Oct. 31-Nov. 1. Registration is full but you can sign up for the Seabeck waiting list; the organizers hope to make room for more participants.

Made in Humboldt fair: You can find my calendars, prints and boxed notecards at the “Made in Humboldt” event at Pierson Garden Shop in Eureka, CA from Tuesday, Nov. 10 through Tuesday, Dec. 24. This will be the only fair where you can find my work this season, as the annual holiday fairs at the Arcata Community Center and Redwood Acres are canceled. My cards and calendars are also available in select stores.

Turn, turn, turn

"mouth of the river" is 11x14, painted with Japanese watercolors and sumi ink on paper. Based on a view of Moonstone Beach in Trinidad, CA, it is one of the new pieces in my 2019 calendar. You can see the piece in process below. A greeting card version reads, "infinite thanks." © Annette Makino 2018

Over the past couple of weeks, our family has completely shifted over to school mode. We now have a senior in high school, a senior in college, and a senior in the Over Sixty program at Humboldt State. Instead of lazy mornings, we dash out the door with shoes untied and breakfast in hand.

Meanwhile, nighttime temperatures have dropped into the 40s and the first maple trees are already changing color. It’s hard to say goodbye to summer, but there’s no ignoring the evidence: autumn is coming.

tilted axis
        we slide
                into fall

In the seven years that I’ve been running my art business, a seasonal rhythm has emerged there too. There is the joyful madness of the holiday season. This is followed by the January grind of inventory and accounting, a perfect combination of tedium and frustration. 

year-end accounting
the cat coughs up
another hairball

Spring means creating a new collection of designs and experimenting with some new products. Summer is a juicy, expansive time when I relax at the river with my family and go on week-long painting retreats. 

mouth of the river
an ever-changing story
told to the sea

And September is harvest season, when my best of recent work comes together in the form of a mini-calendar of art and haiku. It’s so satisfying to hold in my hand the culmination of the work I’ve done over the past twelve months, and to know it will bring pleasure to hundreds of others through the coming year.

“To every thing there is a season, and a time to every purpose under the heaven…” (Ecclesiastes 3:1-8)

With experience, now I know that seemingly fallow weeks will alternate with intensely productive periods. I know that once I survive the dreaded year-end accounting, I will get to create again. And that art-wise, the bittersweet end of the summer means the reward of “bringing in the harvest." So let me be the first to wish you a happy fall equinox!

revolving door
that autumn leaf
comes round again

("revolving door" is part of "Passages," a haiku rengay written with Bill Waters and published in Hedgerow #121, Autumn 2017.)

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Makino Studios News

North Country Fair: The North Country Fair takes place in Arcata, California the weekend of Sept. 15-16, from 10 a.m. to 6 p.m. both days. This festive event features 170 art and craft booths, local food, three stages of live entertainment and two parades. I’ll have my newest work at the Makino Studios booth on G Street, plus a free raffle for store credit.

Fieldbrook Art & Wine Festival: Makino Studios will have a booth at this lovely event at the Fieldbrook Winery in Fieldbrook, California on Saturday, Sept. 29, 11 a.m. to 4 p.m.

New paintings and prints: Check out my latest paintings in the Gallery. And see the new signed art prints in the Prints section.

Sneak preview of 2019 calendar: You can see a few images of my mini-calendar of art and haiku online here. Orders will be shipped out the week of Sept. 17.  

The other end of the paintbrush

“summer solstice” is 11×14, painted with sumi ink and Japanese watercolors on paper and digitally edited. An earlier version of the haiku first appeared in Modern Haiku. A birthday card version is available. © Annette Makino 2016

Humboldt County is famous for two things: its magical old-growth redwood forests and perhaps equally magical marijuana. But there is a lesser-known feature that makes this area unique: it has more working artists per capita than any other part of California.

Each year in June, some 150 Humboldt artists open their studio doors to the public as part of North Coast Open Studios. Earlier this month, it was my pleasure to be part of the "Seven in Samoa" group that hosted visitors the first weekend. The following weekend, I got to tour nine studios.

In visiting other artists, I was inspired and moved by much of their art. But it was just as interesting to talk with these working artists and learn about what goes on at the other end of the paintbrush. I discovered we are grappling with some of the same issues.

A common theme of our conversations was the tension between making art that purely expresses our creativity versus making art that we know will sell. For instance, one artist is currently drawn to images of melancholy women, but knows there is a much bigger market for her playful pieces of cats.

Another sells a lot of art postcards with inspiring quotes, but her passion project is a scrapbook of sketches and thoughts about silent meditation retreats, though she knows the market for such a book is very limited.

Annette Makino demonstrates her tools and techniques at the Samoa Women’s Club in Samoa, CA as part of North Coast Open Studios in June 2017.

For my part, I sometimes find myself painting simply because it’s time for a new card catalog. Instead of “What do I really want to express about my core being?,” the “helpful” and persistent voice inside my head asks a much less inspiring question, “What would make for a good birthday card?”

Another common theme of my Open Studios conversations was the competing demands on our time: we need to spend time managing and marketing our business, but that cuts into the time to actually create. And it's hard for me to compartmentalize: when I know I have orders to fill or an event to publicize, I can't get into the open, spacious frame of mind I need to paint.

Finally, an underlying issue that emerged from talking with other artists was, what does success mean to me as a working artist? Is it measured by sales? Reputation? Appreciation from buyers? Personal satisfaction from the joy of creating? While it’s surely some combination of all of these, it’s challenging to find the right balance, especially in a culture that confuses money with worth.

Overall, I came away from Open Studios without clearcut answers, yet comforted to know that I am not alone: even the most successful artists struggle with these dilemmas. It was inspiring to meet so many passionate, committed people who have chosen to walk this sometimes difficult path. We may never get rich from our art (though I'm not opposed to that!), but we are certainly rich in spirit.

summer solstice . . .
the skipping stone
all the way across

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Makino Studios News

Seven in Samoa: The Eureka Times-Standard ran this story about the group of artists that showcased our work together as part of North Coast Open Studios.

Summer vacation: Happy solstice! I’ll be on vacation from this Saturday, June 24 until Sunday, July 2. While I am swimming and painting at the Klamath River (depicted in the above image), my Makino Studios Etsy shop will be closed for the week and I will not be filling store orders.

Westhaven Wild Blackberry Festival: Rabia O’Loren will be selling a selection of my cards and prints at this festival on Sunday, July 30, 10-4 at the Westhaven Volunteer Fire Department.

North Country Fair: Mark your calendar for this two-day festival celebrating the fall equinox, taking place September 16-17 on the Arcata Plaza!